/* ─────────────────────────────────────────────────────────────────────────
 * design-systems/supabase/tokens.css
 *
 * Structured token bindings for "Supabase" — the open-source Firebase
 * alternative whose marketing surface reads like a dark-mode editor that
 * grew up: near-black canvas (#171717), Postgres-emerald (#3ecf8e) reserved
 * for the chromatic moments, Circular geometric sans for prose, Source
 * Code Pro uppercase for the developer-console voice, and depth carried
 * by a tight border hierarchy instead of drop shadows.
 *
 * Agents generating an artifact for Supabase should paste the `:root`
 * block verbatim into the first `<style>` of the artifact, then reference
 * everything via `var(--*)`.
 *
 * Brand-specific schema decisions (each bends a schema convention to
 * match Supabase's voice rather than the cross-brand default):
 *
 *   1. `--bg: #171717` and `--surface: #1c1c1c` instead of pure black.
 *      DESIGN.md §1: "deep black backgrounds (`#0f0f0f`, `#171717`)" but
 *      "never pure black". The #1c1c1c surface gives cards a faint
 *      luminance step above the page without warm-shifting; Supabase
 *      has no warm tier, so `--surface-warm` aliases `--surface` rather
 *      than introducing a tint that doesn't exist in the brand.
 *
 *   2. Four-level foreground ramp — `#fafafa → #b4b4b4 → #898989 →
 *      #4d4d4d` — bound to `--fg / --fg-2 / --muted / --meta`. DESIGN.md
 *      §2 documents exactly these four text tiers (Off White / Light
 *      Gray / Mid Gray / Dark Gray) and §9 calls them out as the
 *      primary / secondary / muted / heavy-secondary ramp. Binding them
 *      independently (no aliasing) lets the marketing surface render
 *      genuine four-tier hierarchy — the dark canvas hides any two-tier
 *      collapse, so the differentiation is real.
 *
 *   3. `--border: #2e2e2e` and `--border-soft: #242424` as solid hex,
 *      not rgba. DESIGN.md §6 makes border-as-depth THE depth system
 *      ("depth comes from borders, not shadows") and §9 names #242424
 *      as the subtle tier and #2e2e2e as the standard tier. The hex
 *      form (instead of rgba over the dark bg) is intentional: it
 *      keeps the border's luminance constant regardless of what surface
 *      it sits on, which is the brand's "edges define" promise.
 *
 *   4. `--accent: #3ecf8e` — Supabase brand green, the Postgres-emerald
 *      identity marker. Used SPARINGLY (DESIGN.md §1: "always as a
 *      signal of 'this is Supabase' rather than as a decorative
 *      element"). `--accent-on` is `#0f0f0f` (near-black), not the
 *      schema default of `#ffffff`, because emerald at this luminance
 *      reads with dark text far better than white — the contrast ratio
 *      against the bright green is what makes the brand button legible.
 *      `--accent-hover` binds to `#00c573`, the documented "green link"
 *      color (DESIGN.md §2 Brand) — Supabase ships TWO emerald values
 *      with semantic distinction (brand vs. interactive) and the
 *      hover state is exactly where the interactive variant belongs.
 *
 *   5. `--font-display` and `--font-body` share the Circular stack.
 *      Hierarchy comes from size + weight (400 for prose, 500 for
 *      interactive), never from a separate display face. DESIGN.md §3
 *      Principles: "There is no bold (700) in the detected system —
 *      hierarchy is created through size, not weight."
 *      `--font-mono: "Source Code Pro"` for the developer-console
 *      voice — the uppercase technical labels with 1.2px tracking that
 *      DESIGN.md §3 calls "the developer-console marker that connects
 *      the marketing site to the product".
 *
 *   6. `--text-4xl: 72px` with `--leading-tight: 1.00`. DESIGN.md §3
 *      makes the 1.00 hero line-height "the defining typographic
 *      gesture — text that feels like a terminal command: dense,
 *      efficient, no wasted vertical space." Tracking stays at
 *      `normal` (per DESIGN.md §3 hero row) — Supabase reads dense
 *      from the leading collapse, not from negative letter-spacing
 *      like Vercel's `-0.05em`.
 *
 *   7. Section rhythm is generous: 128px desktop, 80px tablet, 48px
 *      phone. DESIGN.md §5 names 90–128px desktop spacing as
 *      "dramatic, cinematic pacing — each section is its own scene in
 *      the dark void". The top of that range (128px) matches the
 *      brand's confidence; the 48px phone floor is the documented
 *      mobile collapse.
 *
 *   8. Radius scale 6 / 8 / 16 / 9999. DESIGN.md §5: standard 6px
 *      (ghost buttons, secondary), comfortable 8px (cards), large 16px
 *      (feature cards), pill 9999px (primary CTAs and tab indicators).
 *      DESIGN.md §7 forbids the 16px tier on buttons — "pills (9999px)
 *      or standard (6px), nothing in between". Component CSS enforces
 *      that policy at the component level.
 *
 *   9. `--elev-raised` uses the brand's "border + minimal shadow"
 *      compromise: `0 0 0 1px var(--border), 0 4px 12px rgba(0, 0, 0,
 *      0.4)`. DESIGN.md §6 says Supabase "deliberately avoids shadows"
 *      but uses `rgba(0, 0, 0, 0.1) 0px 4px 12px` for focus states —
 *      we deepen that alpha for the raised tier so a card actually
 *      separates from the dark canvas, while keeping the ring as the
 *      primary depth signal.
 *
 *  10. `--focus-ring` is a 2px ring at `color-mix(var(--accent),
 *      transparent 50%)` — the green-tinted halo that DESIGN.md §6
 *      Level 3 names as the "brand-highlighted" elevation. On a near-
 *      black canvas the schema's default (3px alpha glow over accent)
 *      reads weak; 2px at 50% transparency lands at the documented
 *      `rgba(62, 207, 142, 0.3)`-ish weight and stays unmistakably
 *      Supabase.
 *
 * Source contracts:
 *   - Standard token names: design-systems/_schema/tokens.schema.ts
 *   - A2 fallback parity:   design-systems/_schema/defaults.css
 *   - Lint enforcement:     apps/daemon/src/lint-artifact.ts
 *
 * Keep this file additive: never invent token names not also documented
 * in DESIGN.md or the schema. Circular and Source Code Pro do not need
 * a CDN reference here — the font stacks list Helvetica Neue / Menlo
 * fallbacks so artifacts render acceptably even when the brand faces
 * are not loaded, and any host that wants the real Circular face links
 * it externally.
 * ─────────────────────────────────────────────────────────────────── */

:root {
  /* ─── Surface (3 levels — schema slot) ─────────────────────────────
   * #171717 is the documented page canvas (DESIGN.md §1 "Dark"). The
   * card surface bumps one luminance step to #1c1c1c so elevated
   * containers carry a faint lift without warm-shifting — Supabase
   * has no warm tier, so `--surface-warm` aliases `--surface` exactly
   * the way Vercel's achromatic canvas does. */
  --bg: #171717;
  --surface: #1c1c1c;
  --surface-warm: var(--surface);            /* alias — Supabase has no warm tier */

  /* ─── Foreground ramp (4 levels) ──────────────────────────────────
   * Off White → Light Gray → Mid Gray → Dark Gray, the documented
   * four-tier text scale from DESIGN.md §2. Each tier is independently
   * bound (no aliasing) because Supabase genuinely uses four distinct
   * text registers: heading white, body silver, caption gray, and
   * tertiary metadata gray. The four-stop ramp is the typography
   * system; collapsing it to two tiers would flatten the marketing
   * surface's voice. */
  --fg: #fafafa;                             /* Off White — primary text, headings */
  --fg-2: #b4b4b4;                           /* Light Gray — secondary body, links */
  --muted: #898989;                          /* Mid Gray — captions, footer, muted */
  --meta: #4d4d4d;                           /* Dark Gray — tertiary metadata, disabled */

  /* ─── Border (2 levels) ──────────────────────────────────────────
   * Border-as-depth is THE depth system (DESIGN.md §6: "depth comes
   * from borders, not shadows"). #2e2e2e is the standard card edge,
   * #242424 the inner-row divider that "should not visually compete".
   * Solid hex (not rgba over bg) keeps luminance constant regardless
   * of what surface the border sits on. */
  --border: #2e2e2e;                         /* standard border — cards, tabs, dividers */
  --border-soft: #242424;                    /* subtle divider — inner row separators */

  /* ─── Accent ─────────────────────────────────────────────────────
   * Supabase brand emerald — the Postgres-green identity marker.
   * Hard cap of ≤2 visible uses per screen (lint enforced) because
   * DESIGN.md §7 forbids using green "to backgrounds or large
   * surfaces — it's for borders, links, and small accents".
   *
   * `--accent-on` is `#0f0f0f` (near-black), NOT the schema default
   * `#ffffff` — bright emerald reads with dark text far better than
   * white, and #0f0f0f is the documented "near-black" button surface
   * already in the brand's neutral scale.
   *
   * `--accent-hover` is `#00c573` — DESIGN.md §2 documents this as
   * the "green link" interactive variant of the brand color. Mapping
   * it to the hover state preserves the brand's distinction between
   * identity-green (#3ecf8e) and interactive-green (#00c573). */
  --accent: #3ecf8e;                         /* Supabase emerald — brand identity marker */
  --accent-on: #0f0f0f;                      /* near-black label on bright emerald */
  --accent-hover: #00c573;                   /* documented interactive green link variant */
  --accent-active: color-mix(in oklab, var(--accent), black 14%);

  /* ─── Semantic ───────────────────────────────────────────────────
   * Supabase's marketing surface rarely renders state. DESIGN.md §7
   * specifically forbids using the Radix warm tones (crimson, orange)
   * as primary design elements — they exist purely as semantic
   * tokens. We inherit the schema defaults rather than designing a
   * custom warm palette that doesn't appear in the brand voice. */
  --success: #16a34a;
  --warn: #eab308;
  --danger: #dc2626;

  /* ─── Typography ─────────────────────────────────────────────────
   * Circular is Supabase's signature face — a geometric sans-serif
   * with rounded terminals that softens the technical edge.
   * `--font-display` and `--font-body` share the stack; the Helvetica
   * Neue / Helvetica / Arial fallbacks come straight from DESIGN.md
   * §3 and ensure artifacts render legibly even when Circular is not
   * loaded. Source Code Pro is the developer-console voice — the
   * uppercase technical labels with 1.2px tracking that DESIGN.md §3
   * calls "the marker that connects the marketing site to the
   * product". Office Code Pro / Menlo fallbacks match DESIGN.md §3. */
  --font-display: "Circular", "custom-font", "Helvetica Neue", Helvetica, Arial, sans-serif;
  --font-body: "Circular", "custom-font", "Helvetica Neue", Helvetica, Arial, sans-serif;
  --font-mono: "Source Code Pro", "Office Code Pro", Menlo, Monaco, Consolas, monospace;

  /* Type scale (px) — derived from DESIGN.md §3 hierarchy table.
   * The scale tops out at 72px (display hero) and shoots straight up
   * from 36px (section heading) — the missing intermediate steps are
   * deliberate. Supabase reads BIG because the hero leading collapses
   * to 1.00, not because the px count climbs gradually. */
  --text-xs: 12px;                           /* small — fine print, code labels */
  --text-sm: 14px;                           /* button, nav link, caption */
  --text-base: 16px;                         /* body — standard reading */
  --text-lg: 18px;                           /* sub-heading — secondary headings */
  --text-xl: 24px;                           /* card title */
  --text-2xl: 32px;                          /* mid-large heading */
  --text-3xl: 36px;                          /* section heading */
  --text-4xl: 72px;                          /* display hero — terminal-density */

  /* `--leading-tight` is 1.00 — DESIGN.md §3 names this "the defining
   * typographic gesture" and forbids relaxing it ("Don't increase
   * hero line-height above 1.00 — the density is intentional").
   * `--tracking-display` is `normal` (DESIGN.md §3 hero row) —
   * Supabase reads dense from the leading collapse, not from negative
   * letter-spacing like Vercel's -0.05em. */
  --leading-body: 1.5;
  --leading-tight: 1.00;
  --tracking-display: normal;

  /* ─── Spacing ────────────────────────────────────────────────────
   * 4px-grid base scale. DESIGN.md §5 documents micro-stops (1px /
   * 4px / 6px) that are too fine to belong in the shared schema —
   * those are inlined per-component when needed. The 4/8/12/16/20/
   * 24/32/48 tier covers the structural rhythm of cards and stacks. */
  --space-1: 4px;
  --space-2: 8px;
  --space-3: 12px;
  --space-4: 16px;
  --space-5: 20px;
  --space-6: 24px;
  --space-8: 32px;
  --space-12: 48px;

  /* Section rhythm — DESIGN.md §5: "Dramatic section spacing 90–128px
   * creates a cinematic pacing — each section is its own scene in the
   * dark void". We sit at the top of that range (128px desktop) to
   * honor the brand confidence, drop to 80px on tablet, and 48px on
   * phone (the documented mobile floor). */
  --section-y-desktop: 128px;
  --section-y-tablet: 80px;
  --section-y-phone: 48px;

  /* ─── Radius ─────────────────────────────────────────────────────
   * DESIGN.md §5 radius scale: 6 / 8 / 11–12 / 16 / 9999. We bind
   * the four schema tiers to 6 (ghost / functional / secondary), 8
   * (cards / containers), 16 (feature cards / major containers),
   * 9999 (primary CTAs and pill tabs). The 11–12px mid-panel tier is
   * component-specific and not part of the shared schema. DESIGN.md
   * §7 forbids in-between radii on buttons — components MUST pick
   * pill or 6px, never 8/12/16. */
  --radius-sm: 6px;                          /* ghost buttons, secondary, functional */
  --radius-md: 8px;                          /* cards, containers */
  --radius-lg: 16px;                         /* feature cards, major containers */
  --radius-pill: 9999px;                     /* primary CTAs, tab indicators */

  /* ─── Elevation (3 levels) ───────────────────────────────────────
   * DESIGN.md §6: Supabase "deliberately avoids shadows" because they
   * read as invisible on a dark canvas; depth is the border hierarchy
   * (#242424 → #2e2e2e → #393939 → green-accent border). We map:
   *
   *   --elev-flat    no shadow (page background, text blocks)
   *   --elev-ring    1px hairline ring at --border (the standard tier)
   *   --elev-raised  ring + minimal ambient shadow (the brand's
   *                  compromise: DESIGN.md's focus shadow alpha
   *                  deepened from 0.1 to 0.4 so a card actually
   *                  separates from the dark canvas at distance) */
  --elev-flat: none;
  --elev-ring: 0 0 0 1px var(--border);
  --elev-raised: 0 0 0 1px var(--border), 0 4px 12px rgba(0, 0, 0, 0.4);

  /* ─── Focus ring ─────────────────────────────────────────────────
   * 2px ring at `color-mix(var(--accent), transparent 50%)` — the
   * green-tinted halo that DESIGN.md §6 Level 3 names the "brand-
   * highlighted" elevation (`rgba(62, 207, 142, 0.3)`). On a near-
   * black canvas the schema's default 3px alpha glow reads weak;
   * 2px at 50% transparency lands at the documented weight and stays
   * unmistakably Supabase without dominating the surface. */
  --focus-ring: 0 0 0 2px color-mix(in oklab, var(--accent), transparent 50%);

  /* ─── Motion ─────────────────────────────────────────────────────
   * Two durations + one easing curve, per the anti-ai-slop "short,
   * purposeful transitions (150–250ms) with stable easing". Supabase
   * transitions are quick and unobtrusive — the brand reads as
   * engineered, never choreographed. */
  --motion-fast: 150ms;
  --motion-base: 200ms;
  --ease-standard: cubic-bezier(0.2, 0, 0, 1);

  /* ─── Layout ─────────────────────────────────────────────────────
   * 1200px max content width — typical for marketing surfaces.
   * Mobile gutter holds at 16px (instead of dropping to 12px) so
   * code blocks and badges retain padding context on small screens;
   * Supabase's developer-doc voice rarely edge-bleeds. */
  --container-max: 1200px;
  --container-gutter-desktop: 24px;
  --container-gutter-tablet: 16px;
  --container-gutter-phone: 16px;
}